Amateur painter lies about his ability to see ghosts and takes on a job as a ghost painter on a TV show. Turns out, he could actually see the ghost.

Artist Kyeong-pa is asked by the father of a dead girl to paint a portrait of the man's daughter to put her soul to rest. But whenever the artist tries to paint it, a different woman appears on the canvas. The image always takes the form of a woman whom he loved but has also passed away. The ghost of the man's daughter is not very happy that her painting has not been finished and makes her wrath known.

A successful colorist accidentally loses his sight but tries to stay in the profession. His colorblind student, who used to be a programmer in the past, is helping him with this task by using modern advances in technology. Circumstances force them to unite and overcome their fears together.

A wealthy art collector's obsession with a young painter develops into a psychosexual relationship fueled by jealousy and delusion.

讲述一位从小接受训练的年轻女子的故事，她必须运用自己掌握的每一种技能来拯救被绑架的父亲。

In the film, Midthunder portrays a young woman trained in combat from childhood who uses her skills to rescue her kidnapped father, embarking on a perilous mission that tests her abilities to the limit.

A young woman, trained from a young age, must employ every skill in her arsenal to rescue her father after he is kidnapped.

Albert Oehlen steps behind the camera to present a portrait of himself, in life and at work, albeit substituted by actor and similarly brazen iconoclast Udo Kier, with musician Kim Gordon as his inner self, interviewer and judge.

We follow a painter, a successful artist living alone and isolated. Driven only by his work, he finds himself lost when he’s forced to deal with his unannoced son and other outsiders that stand in the way of his work and get him out of balance.

Being one of the most significant, contemporary painters, Albert Oehlen’s approach is complete refusal of the common art circus. In its own way the Film reflects this very stance. Likewise, it questions the purpose of obsolete thinking patterns created by white straight male artists of a certain age that have dominated the art world for centuries.